Jordanian-Filipina Diana Qeblawi took a closer look at Dior's latest chapter for Paris Haute Couture Week.

Paris during Haute Couture Week has its own rhythm. The city slows just enough for fashion to take center stage, with every invitation offering a glimpse into the world behind the collections. This season, Jordanian-Filipina Diana Qeblawi experienced Dior’s latest chapter through an immersive itinerary that celebrated not only Jonathan Anderson’s evolving vision for the House, but also the craftsmanship, heritage, and artistry that define the Maison.

Arrival: Living the Dior Art de Vivre

Before the runway, the experience began with a stay at the Hôtel Plaza Athénée, home to the Dior Spa and long regarded as one of the Maison’s most enduring Parisian addresses.
A visit to the Dior Spa offered a quiet pause amid the excitement of couture week, followed by lunch at L’Avenue, where fashion insiders, editors, and guests gathered between appointments. It was an introduction to the Dior lifestyle—one where beauty, hospitality, and craftsmanship exist in seamless harmony.

Dressing for Dior

For Jonathan Anderson’s highly anticipated Spring–Summer 2026 ready-to-wear collection, Qeblawi embraced one of the designer’s defining silhouettes.
She wore a sleeveless A-line minidress in sheer silver-grey floral lace, delicately embroidered with metallic threads and scattered sequins that shimmered softly in the Parisian light. Draped over the dress was a sculptural white silk-satin capelet, distinguished by architectural cut-outs, floral embellishment, and a flowing ribbon tie—an unmistakable expression of Anderson’s balance between structure and romance.
The look was completed with the Dior Bow Heeled Slingback Sandals in silver-tone suede goatskin embellished with strass and the Lady Dior S Alligator bag, one of Anderson’s earliest accessories for the Maison. Dior Lily B1U butterfly sunglasses, with their petal-shaped rimless lenses, and an oversized Dior Twist Bow barrette echoed the collection’s romantic sensibility, while Rose Dior Bagatelle earrings and a matching necklace added a delicate floral finish. For the presentation, Dior’s beauty team created her makeup using Dior Beauty, which Qeblawi personalized with a final touch of her signature Qeblawi lipstick—a subtle nod to her own beauty brand amid the House’s impeccably curated aesthetic.

Afternoon at Musée Rodin

The Musée Rodin once again provided the setting for one of the week’s most anticipated shows as Dior unveiled Jonathan Anderson’s second Haute Couture collection for the House.
Surrounded by editors, longtime clients, ambassadors, and friends of the Maison, Qeblawi witnessed a collection that continued Anderson’s thoughtful dialogue between Dior’s storied heritage and a contemporary perspective. More than a runway presentation, the afternoon reflected the enduring artistry of haute couture and the meticulous craftsmanship that defines the House.

An Evening with Dior

As day turned to evening, the celebrations continued at Laurent for the Dior Celebration Cocktail.
Qeblawi changed into another Jonathan Anderson creation from his Spring–Summer 2026 ready-to-wear collection—an embroidered black gown featuring a structured corseted bodice layered with sheer mesh, intricate floral threadwork, and textured botanical embroidery. The silhouette opened into a sweeping skirt of weightless tulle and silk chiffon, creating an effortless sense of movement.
She styled the look with the Dior Cigale bag in supple black calfskin, inspired by Monsieur Dior’s archival 1952 La Cigale design, together with Rose des Vents and Étoile des Vents necklaces in white gold and diamonds and matching Rose des Vents earrings.
Couture week also brought together an international circle of editors, ambassadors, and creatives. During her time in Paris, Qeblawi shared a moment with Priyanka Chopra Jonas following the Haute Couture presentation.

Inside Villa Dior

The couture experience continued beyond the runway with a visit to Villa Dior, the Maison’s private Paris salon reserved for its most valued clients. In a setting far removed from the pace of fashion week, guests were invited to experience Jonathan Anderson’s latest creations up close, where every silhouette, embroidery, and hand-finished detail could be appreciated beyond the fleeting moments of the runway presentation.
Unlike the theatrical reveal at the Musée Rodin, Villa Dior offered a more intimate perspective on the collection. Here, Qeblawi explored pieces from Dior’s recent Haute Couture presentations at close range, gaining a deeper appreciation for the extraordinary craftsmanship behind each look. The visit also provided an opportunity to browse the collections privately and discover the level of personalization and savoir-faire that defines the House’s couture experience.
“Seeing the pieces just a few feet away was completely different from watching them on the runway,” Qeblawi reflects. “You begin to notice every stitch, every embroidery, and every detail that makes haute couture so exceptional.”

A New Appreciation for Couture

For Qeblawi, the most memorable takeaway wasn’t simply attending one of fashion’s most anticipated events—it was experiencing the world of Dior beyond the runway.
“Haute couture isn’t just about wearing beautiful clothes,” she reflects. “It’s about understanding the craftsmanship, the history, and the people behind every collection. Seeing the pieces up close gave me an entirely new appreciation for what Dior represents.”
From witnessing Jonathan Anderson’s latest vision at the Musée Rodin to exploring the collection in the intimate setting of Villa Dior, the experience offered a rare glimpse into the artistry that defines the Maison. As Paris Haute Couture Week came to a close, it became clear that couture extends far beyond the runway—living on in the extraordinary craftsmanship, heritage, and savoir-faire that continue to shape every Dior creation.

Notes from Paris: Diana Qeblawi's Haute Couture Week with Dior

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